Moniteurs SD

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After listening to Directors, Operators and Assistants for several years, your new
6" Cinemonitor™ III is born. Thanks to the built-in Format Converter it is switchable between 4:3, 16/9 and Anamorphic. The 4:3 ratio with 16/9 extract lines and the 16/9 ratio with 14/9 lines help framing for today and tomorrow's editing.
The 6" Cinemonitor™ III can be set in Color, Green Screen and Black & White.

With a weight of only 2lbs, low power consumption (800mAmp),
widest viewing angle available today for off-axis use and
viewable without hood in full sun: it is the ultimate location monitor.

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The 6.5" Rainbow II™ 16/9 accepts NTSC, PAL and SECAM.
With an outstanding viewing angle and optimized performance in full sun, it combines the simplicity of the original Rainbow with advanced functions.

The 4 metal potentiometers can be used by turning them (manual mode) or by pressing them (digital mode). The manual mode provides adjustments for Brightness, Contrast, Saturation and Hue in NTSC.

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The 5" Rainbow II™ accepts NTSC, PAL and SECAM.
With an outstanding viewing angle and optimized performance in full sun, it combines the simplicity of the original 5" Rainbow with advanced functions.

The 4 metal potentiometers can be used by turning them (manual mode) or by pressing them (digital mode). The manual mode provides adjustments for Brightness, Contrast, Saturation and Hue in NTSC.
More advanced features such as Sharpness, Flips, Display modes and Ratios are achieved in digital mode.

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The new 4" StarliteColor™ monitor is switchable between Color,
Green Screen and Black & White.

Its unique digital processor delivers exceptional image quality from film or video cameras. Each monitor is individually calibrated to present CRT-like gamma response and D65 white reference. The 4" StarliteColor™ offers the compactness of a flip-out screen with the quality of a professional viewfinder.